Demons

Josiah Queen · demons

Oh, why? Oh, why?
Does it feel just like a warzone in my mind?
As I fight the fight
And try to hear Your voice through all the lies
Your heard my heart, You heard my cry
You even heard mt whisper in the night
And as I prayed, I heard my Father say
Tell those demons, "Run and hide"
They tremble at the name of Jesus every time
Fear ain't got a home here up inside my mind
Darkness has to leave up in this light, oh-oh
You're always near
Just a mеntion of Your name, and You're right herе
You'll wipe my tears
You're deliverin' me out from all my fears
Your heard my heart, You heard my cry
You even heard mt whisper in the night
And as I prayed, I heard my Father say
Tell those demons, "Run and hide"
They tremble at the name of Jesus every time
Fear ain't got a home here up inside my mind
Darkness has to leave up in this light, oh-oh
And I won't buy those lies
They can't take control over this life of mine
I'll be for ransom by the blood of Christ
Darkness has to leave up in this light, oh-oh
Ooh-ooh-ooh, ooh-ooh-ooh
Ooh-ooh-ooh, ooh-ooh-ooh
Ooh-ooh-ooh, ooh-ooh-ooh
Ooh-ooh-ooh
And as I prayed, I heard my Father say
Tell those demons, "Run and hide"
They tremble at the name of Jesus every time
Fear ain't got a home here up inside my mind
Darkness has to leave up in this light, oh-oh
And I won't buy those lies
They can't take control over this life of mine
I'll be for ransom by the blood of Christ
Darkness has to leave up in this light, oh-oh
Ooh-ooh-ooh, ooh-ooh-ooh
Ooh-ooh-ooh, ooh-ooh-ooh
Ooh-ooh-ooh, ooh-ooh-ooh
Ooh-ooh-ooh

About Demons

"Demons" finds Josiah Queen in a pop-minded frame, where a clear central idea and emotional directness are the real strengths. The title gives the song a sharp center of gravity, but the mood is what stays with the listener once the first impression passes. There is a welcome sense of proportion in the way the music presents itself: the hook has room to land, while the surrounding moments support it instead of competing for attention. The best moments are the ones that let the central idea return with a little more weight each time, instead of forcing a bigger gesture. For listeners returning to Josiah Queen, the song offers a compact example of how mood, pacing, and a recognizable point of view can meet in one place. That patience gives the track replay value: it feels immediate, yet it leaves enough space for small details and shifts in feeling to register later. The clarity of that approach is its own strength, because it lets the feeling come through without turning every moment into a dramatic demand. Even when it aims for immediacy, the track avoids feeling disposable because its atmosphere remains distinct after the final note. Its emotional center stays firmly in view throughout.