Jupiter

Nao · Jupiter

Ooh, I get high when I think about your love
Up in my mind 'cause you're all I'm thinking of
Ooh, I could die just imagining your touch
I get high
I get high
I get high
Somewhere in the sky above Jupiter
Like I don't ever wanna come back to earth
Darling
Reality, reality, don't bring me down to earth
Leave me up in orbit where my feelings won't get hurt
I know the universe has got my back
'Cause it brought us both together
It's the law that we attract, yeah, yeah
Writing you a letter, can I send it on the clouds?
I'm jealous of the moon because it's closer to you now
I'm must be out my mind, or am I drunk?
'Cause you got me acting different
Could it be that we're in love?
Nothing else matters when you're in my head
Oh just the thought is enough, yeah
Ooh, I get high when I think about your love
Up in my mind 'cause you're all I'm thinking off
Ooh, I could die just imagining your touch
I get high
I get high
I get high
Somewhere in the sky above Jupiter
No, darling
Like I don't ever wanna come back to earth
Oh no
Somewhere in the sky above Jupiter
Ooh
Like I don't ever wanna come back to earth
Oh, darling, oh
Reality, reality, don't bring me down to earth
Oh

About Jupiter

"Jupiter" finds Nao in a pop-minded frame, where a clear central idea and emotional directness are the real strengths. The song works best when its main melodic and rhythmic ideas are allowed to speak plainly, without being crowded by unnecessary decoration. There is a welcome sense of proportion in the way the music presents itself: the hook has room to land, while the surrounding moments support it instead of competing for attention. That restraint gives the performance room to breathe and makes the emotional color feel earned rather than imposed. For listeners returning to Nao, the song offers a compact example of how mood, pacing, and a recognizable point of view can meet in one place. It is a track for focused listening, especially when the details around the main idea begin to reveal their own quiet pull. The clarity of that approach is its own strength, because it lets the feeling come through without turning every moment into a dramatic demand. Even when it aims for immediacy, the track avoids feeling disposable because its atmosphere remains distinct after the final note. Its emotional center stays firmly in view throughout.