Rebel Heart
Ive · REBEL HEART
Sijageun hangsang da irun geotcheoreom
Endingeun machi seungnihan geotcheoreom
Geomnaeji anko maeumeul ssodeullae
Nae moyangdaero
Ije deo isang singyeong sseuji ana (deo isang)
Eodieseodo nae mameul jikigi
Ohae badeul ttaen jayue matgyeodullae
Da alge doel geonikka
So you can love me, hate me
You will never be, never be, never be me
Try me, I'll break free
You will never be, never be, never be me
We are rebels in our heart, rebels in our heart
We are rebels in our heart
We are rebels in our heart, kkeokkiji ana
We are rebels in our heart
Neoneun eodiga jogeum bujokae
Neoneun geogiga mwonga jom neomchyeo
I don't care, mwodeun mareun cham swipji
Geurae silhaengi eoryeoun geoya
Do it, move it, do it
Urin geunyang halge
Nae gal gireun meolgo
Geu wieneun deuramaga isseo
Tto oeroumi neomu gireojineun bamen
Geu mameul ssoa ollyeo (Oh)
Love me, hate me
You will never be, never be, never be me
Try me, I'll break free
You will never be, never be, never be me
We are rebels in our heart, rebels in our heart
We are rebels in our heart
We are rebels in our heart, kkeokkiji ana
We are rebels in our heart (Rebels in our heart)
La-la-la-la, la-la-la, la-la-la
Rebels in our heart, rebels in our heart
La-la-la-la, la-la-la, la-la-la
Rebels in our heart, rebels in our heart
Urin ttaro iyureul mutji anko
Seoroga pillyohal ttaega isseo
Geureon mami eotteon geonji jal algie
Yeongwoneul baraneun saibodan
Jigeumeul ihaehaejugo sipeo
We will always be the rebels
Come, join as who you are
We are rebels, we are one
I maeummaneuro
We are rebels, we are one
We are rebels in our heart, rebels in our heart
We are rebels in our heart
We are rebels in our heart, kkeokkiji ana
We are rebels in our heart
[Korean:]
Rebels in our heart
ì‹œìž‘ì€ í•ìƒ ë‹¤ ì´ë£¬ 것처럼
ì—”ë”©ì€ ë§ˆì¹˜ 승리한 것처럼
ê²ë‚´ì§€ ì•Šê³ ë§ˆìŒì„ ìŸì„래
내 모양대로
ì´ì œ ë” ì´ìƒ ì‹ ê²½ ì“°ì§€ 않아 (ë” ì´ìƒ)
ì–´ë””ì—ì„œë„ ë‚´ ë§˜ì„ ì§€í‚¤ê¸°
오해 ë°›ì„ ë• ìžìœ ì— ë§¡ê²¨ë‘˜ëž˜
다 알게 ë 거니까
So you can love me, hate me
You will never be, never be, never be me
Try me, I'll break free
You will never be, never be, never be me
We are rebels in our heart, rebels in our heart
We are rebels in our heart
We are rebels in our heart, 꺾ì´ì§€ 않아
We are rebels in our heart
너는 어디가 조금 부족해
너는 거기가 ë”ê°€ 좀 넘ì³
I don't care, ëë“ ë§ì€ ì°¸ 쉽지
그래 ì‹¤í–‰ì´ ì–´ë ¤ìš´ 거야
Do it, move it, do it
우린 그냥 í• ê²Œ
ë‚´ ê°ˆ ê¸¸ì€ ë©€ê³
ê·¸ 위ì—는 드ë¼ë§ˆê°€ 있어
ë˜ ì™¸ë¡œì›€ì´ ë„ˆë¬´ 길어지는 밤엔
ê·¸ ë§˜ì„ ì˜ì•„ ì˜¬ë ¤ (Oh)
Love me, hate me
You will never be, never be, never be me
Try me, I'll break free
You will never be, never be, never be me
We are rebels in our heart, rebels in our heart
We are rebels in our heart
We are rebels in our heart, 꺾ì´ì§€ 않아
We are rebels in our heart (Rebels in our heart)
La-la-la-la, la-la-la, la-la-la
Rebels in our heart, rebels in our heart
La-la-la-la, la-la-la, la-la-la
Rebels in our heart, rebels in our heart
우린 따로 ì´ìœ 를 묻지 않ê³
서로가 í•„ìš”í• ë•Œê°€ 있어
그런 ë§˜ì´ ì–´ë–¤ ê±´ì§€ 잘 알기ì—
ì˜ì›ì„ ë°”ë¼ëŠ” 사ì´ë³´ë‹¨
ì§€ê¸ˆì„ ì´í•´í•´ì£¼ê³ ì‹¶ì–´
We will always be the rebels
Come, join as who you are
We are rebels, we are one
ì´ ë§ˆìŒë§Œìœ¼ë¡œ
We are rebels, we are one
We are rebels in our heart, rebels in our heart
We are rebels in our heart
We are rebels in our heart, 꺾ì´ì§€ 않아
We are rebels in our heart
About Rebel Heart
"Rebel Heart" finds Ive in a pop-minded frame, where a clear central idea and emotional directness are the real strengths. The title gives the song a sharp center of gravity, but the mood is what stays with the listener once the first impression passes. There is a welcome sense of proportion in the way the music presents itself: the hook has room to land, while the surrounding moments support it instead of competing for attention. The best moments are the ones that let the central idea return with a little more weight each time, instead of forcing a bigger gesture. For listeners returning to Ive, the song offers a compact example of how mood, pacing, and a recognizable point of view can meet in one place. That patience gives the track replay value: it feels immediate, yet it leaves enough space for small details and shifts in feeling to register later. The clarity of that approach is its own strength, because it lets the feeling come through without turning every moment into a dramatic demand. Even when it aims for immediacy, the track avoids feeling disposable because its atmosphere remains distinct after the final note. Its emotional center stays firmly in view throughout.

