The Shit Ov God

Behemoth · The Shit ov God

Eat my flesh, drink my blood
I am the shit ov god
If you are the sun, I am Vantablack
You're the light ov the world, I thrive in the dark
You brighten the north, I rage down south
This heretic's homily I offer thee now
I for ingrate
E to eradicate
S for the scorn
U for useless
S for the shame
J for joyless
H to humiliate
S for thy son unloved
We are the shit ov god
We are the shit ov god
If you are prey, then I am the beast
You wave a white flag, I accept no defeat
They say you're almighty, an Illusion I quell
You serve up in Eden, I reign in hell
I for ingrate
E like eradicate
S for the scorn
U for useless
S for the shame
J for joyless
H to humiliate
S for thy son unloved
We are the shit ov god
We are the shit ov god
We are the shit ov god
If you are purity, I am born ov filth
You're exalted in faith, I am driven by will
If you are the rock, I am crushing tide
This sermon I wake from coma unto the light
Eat my flesh, drink my blood, I am the shit ov god
Eat my flesh, drink my blood, I am the shit ov god
I for ingrate
E to eradicate
S for the scorn
U for useless
S for the shame
J for joyless
H to humiliate
S for thy son unloved
We are the shit ov god
We are the shit ov god
We are the shit ov god

About The Shit Ov God

"The Shit Ov God" finds Behemoth in a rock frame, where momentum, contrast, and tension lead the way. Its appeal comes from commitment to a single emotional temperature rather than from trying to impress through sheer scale. There is a welcome sense of proportion in the way the music presents itself: the hook has room to land, while the surrounding moments support it instead of competing for attention. Small changes in intensity keep the song moving and stop its main idea from becoming static, giving the performance a natural sense of flow. For listeners returning to Behemoth, the song offers a compact example of how mood, pacing, and a recognizable point of view can meet in one place. The result is a focused piece of music that works in the moment but still has enough character to invite a return visit. The clarity of that approach is its own strength, because it lets the feeling come through without turning every moment into a dramatic demand. Even when it aims for immediacy, the track avoids feeling disposable because its atmosphere remains distinct after the final note. Its emotional center stays firmly in view throughout.