Punca V Belem
Flirrt · Jekyll & Hyde CD 1
Nisem tko dobr' počutu
Gledal sem kako gre življenje mimo mene in
Stokrat z glavo ob steno butu
Preden si prišla ti v moje življenje
Sem milijonkrat kej zamoču
Ampak razumi, moja dva sta se res grdo loč'la in
Nisem si želel, da bi se sploh kdaj poroču
Verjel sem, da je ljubezen 'zguba časa
Ker čist' vedno kdo nastrada
Da me je življenje obeslo na klin
In da ni take, ki me bo res mela rada
Prej nobeni nisem vsega povedu
Zbežal sem čim sem čutu mal' znake
Da bi srce lahko dal
Sam teb' sem pustu videt moje napake
In strah me je blo
Da bom do smrti sam ostal
A hvala bogu našla si me
A boš kdaj zame punca v belem?
A boš pr' reki, v beli obleki, pr'kimala da, da?
A boš tle z mano, v dobrem in slabem?
Gradila gradove, stare in nove, za naju oba
Ko v pižami skačeš okol' mene
Si res najlepša na svetu
In tut v sanjah nism si mislu
Da bo kdo v men' take iskre zanetu
Vsak ma strahove, tut jaz 'mam pač svoje
Težko delil sem prej globje trenutke
A s tabo glava posluša srce
Prvič uštimane 'mam svoje občutke
Prej strah me je blo
Da bom do smrti sam ostal
A hvala bogu našla si me
A boš kdaj zame punca v belem?
A boš pr' reki, v beli obleki, pr'kimala da?
A boš tle z mano, v dobrem in slabem?
Gradila gradove, stare in nove, za naju oba
In strah me je blo
Da bom do smrti sam ostal
A hvala bogu našla si me
Sej veš
(Strah me je blo)
(Našla si me)
(Našla si me)
(Našla si me)
(Našla si me)
About Punca V Belem
"Punca V Belem" finds Flirrt in a pop-minded frame, where a clear central idea and emotional directness are the real strengths. The title gives the song a sharp center of gravity, but the mood is what stays with the listener once the first impression passes. There is a welcome sense of proportion in the way the music presents itself: the hook has room to land, while the surrounding moments support it instead of competing for attention. The best moments are the ones that let the central idea return with a little more weight each time, instead of forcing a bigger gesture. For listeners returning to Flirrt, the song offers a compact example of how mood, pacing, and a recognizable point of view can meet in one place. That patience gives the track replay value: it feels immediate, yet it leaves enough space for small details and shifts in feeling to register later. The clarity of that approach is its own strength, because it lets the feeling come through without turning every moment into a dramatic demand. Even when it aims for immediacy, the track avoids feeling disposable because its atmosphere remains distinct after the final note. Its emotional center stays firmly in view throughout.