Livin' On A Prayer
Bon Jovi · Slippery When Wet
Not so long ago
Tommy used to work on the docks
Union's been on strike
He's down on his luck...it's tough, so tough
Gina works the diner all day
Working for her man, she brings home her pay
For love - for love
She says: We've got to hold on to what we've got
'Cause it doesn't make a difference
If we make it or not
We've got each other and that's a lot
For love - we'll give it a shot
We're half way there
Livin' on a prayer
Take my hand and we'll make it - I swear
Livin' on a prayer
Tommy got his six string in hock
Now he's holding in what he used
To make it talk - so tough, it's tough
Gina dreams of running away
When she cries in the night
Tommy whispers: Baby it's okay, someday
We've got to hold on to what we've got
'Cause it doesn't make a difference
If we make it or not
We've got each other and that's a lot
For love - we'll give it a shot
We're half way there
Livin' on a prayer
Take my hand and we'll make it - I swear
Livin' on a prayer
We've got to hold on ready or not
You live for the fight when it's all that you've got
We're half way there
Livin' on a prayer
Take my hand and we'll make it - I swear
Livin' on a prayer
About Livin' On A Prayer
"Livin' On A Prayer" finds Bon Jovi in a pop-minded frame, where a clear central idea and emotional directness are the real strengths. Its appeal comes from commitment to a single emotional temperature rather than from trying to impress through sheer scale. There is a welcome sense of proportion in the way the music presents itself: the hook has room to land, while the surrounding moments support it instead of competing for attention. Small changes in intensity keep the song moving and stop its main idea from becoming static, giving the performance a natural sense of flow. For listeners returning to Bon Jovi, the song offers a compact example of how mood, pacing, and a recognizable point of view can meet in one place. The result is a focused piece of music that works in the moment but still has enough character to invite a return visit. The clarity of that approach is its own strength, because it lets the feeling come through without turning every moment into a dramatic demand. Even when it aims for immediacy, the track avoids feeling disposable because its atmosphere remains distinct after the final note. Its emotional center stays firmly in view throughout.