Tec-9
Jala Brat · Roze Suze
Hvala ti što si sad ušla u moj reon
Navikla mijenjat grad, ljubav ko kameleon
I dalje beat pumpa ko da guramo bijelo
Iza nje sve prah kud hoda, Armagedon
100K uzmem easy, hva-hvala na brizi, bae
Spreman nisi, u torbici mi je glizzy, yeah
Blueberry u rizli, Superman, Batman, DC, yeah
Vama kraj se bliži, mi vazda vreli, mi u žiži, yeah
Mala snima clip, dva, stiže džip, pa
PriÄ‘e bliže, grize, pitaj je
Liže sick, 'pak njiše
Svirka, vriska, DJ, yeah
Ona ko da je "Made in China"
Mala ko da miks benzina i vina, yeah
Ona jebena mašina
Fancy hoe barim, bad bitch ko Selena, yeah
Šta ima ljubav sa tim
To nisu suze već dim
Ti još si jaka ko Rim
Ne, nisi plakala
I noćas nema tе s njim
A ja još igram za tim
U špicu Yamal Lamine
Opet te napadam
Mala crna, opasna ko Tеc-9
Mala crna, opasna ko Tec-9
Mala crna, opasna ko Tec-9
Mhm, mhm
Mala crna, opasna ko Tec-9
Mala crna, opasna ko Tec-9
Mala crna, opasna ko Tec-9
Mhm, mhm
Priča ti ne smeta, sve je pod krevetom
Suze i kleveta, nešto je deseto
Oči ti Vendetta, tijelo ti Veneno
Takva kad sebe da, to je bezvremeno
A puno puta se tu opekla
Ljubav, ljubomora, drama, nema lijeka
Mala crna, opasna ko Tec-9
Okom ubila je, ništa nije rekla
A sve si urnisala
Bez krune si krunisana
Bez srca si upisana
Šta da radi Kupid sada?
Šta ima ljubav sa tim
To nisu suze već dim
Ti još si jaka ko Rim
Ne, nisi plakala
I noćas nema te s njim
A ja još igram za tim
U špicu Yamal Lamine
Opet te napadam
Mala crna, opasna ko Tec-9
Mala crna, opasna ko Tec-9
Mala crna, opasna ko Tec-9
Mhm, mhm
Mala crna, opasna ko Tec-9
Mala crna, opasna ko Tec-9
Mala crna, opasna ko Tec-9
Mhm, mhm
About Tec-9
"Tec-9" finds Jala Brat in a pop-minded frame, where a clear central idea and emotional directness are the real strengths. Its appeal comes from commitment to a single emotional temperature rather than from trying to impress through sheer scale. There is a welcome sense of proportion in the way the music presents itself: the hook has room to land, while the surrounding moments support it instead of competing for attention. Small changes in intensity keep the song moving and stop its main idea from becoming static, giving the performance a natural sense of flow. For listeners returning to Jala Brat, the song offers a compact example of how mood, pacing, and a recognizable point of view can meet in one place. The result is a focused piece of music that works in the moment but still has enough character to invite a return visit. The clarity of that approach is its own strength, because it lets the feeling come through without turning every moment into a dramatic demand. Even when it aims for immediacy, the track avoids feeling disposable because its atmosphere remains distinct after the final note. Its emotional center stays firmly in view throughout.