Choom

Babymonster · 춤 (CHOOM)

1, 2 heat is on
Own it, burn it, kick it, flip that
3, 4 BABYMON
We gon get this party started
Walk in, stomping like we own the place
Trust me, I’m not just a pretty face
Yeah I know we’re seven but we ate
(We gon get this party started)
Know we got the style, we got the taste
Sweet and sour lemons, lemonade
Yeah I know we’re seven but we ate
Better run that, run that
Oh my oh my my
지금 이 순간
Oh my oh my my
Let it hypnotize
Loosen up, watch me set the mood
Burn it up, do it like I do
Lose your muh-muh-mind, play the music
Let’s choom
리듬을 삼켜 보자 Choom
(Watch out watch out)
We turn it up, let’s party
월 화 수 목 금 토 모두 다 함께 취해 보자 Choom
(Watch out watch out)
Choom choom choom choom choom
We wanna ride this vibe
Get out the way like vroom vroom
We only got tonight
You better dance like choom choom
Da da da da da da da
Baby check my style
Check me out
This that bling blow
Can’t stop now
Gotta keep it me like that, bow down
보여주마 나의 Choom choom choom
ASA be killing it, killing it woah
We don’t stop, top billing it, billing the show
Big flex, ain’t no up next
모두가 찍 소리 못하는 Groove
Like yes, I’m the empress
이 구역에 난 I’m a MONSTER queen
Oh my oh my my
지금 이 순간
Oh my oh my my
Let it hypnotize
Loosen up, watch me set the mood
Burn it up, do it like I do
Lose your muh-muh-mind, play the music
Let’s choom
리듬을 삼켜 보자 Choom
(Watch out watch out)
We turn it up, let’s party
월 화 수 목 금 토 모두 다 함께 취해 보자 Choom
(Watch out watch out)
Choom choom choom choom choom
We wanna ride this vibe
Get out the way like vroom vroom
We only got tonight
You better dance like choom choom
어둠이 짙게 내리고
이제 MONSTER party
No time to waste (Na na na)
Let’s celebrate (Na na na)
Baby 너와 나의 시간
Choom choom choom choom
That’s right
Everybody everybody make some room
Choom, that’s right
Choom choom choom choom choom
That’s right
Everybody everybody make some room
Choom, that’s right
Choom choom choom choom choom

About Choom

"Choom" finds Babymonster in a pop-minded frame, where a clear central idea and emotional directness are the real strengths. The song works best when its main melodic and rhythmic ideas are allowed to speak plainly, without being crowded by unnecessary decoration. There is a welcome sense of proportion in the way the music presents itself: the hook has room to land, while the surrounding moments support it instead of competing for attention. That restraint gives the performance room to breathe and makes the emotional color feel earned rather than imposed. For listeners returning to Babymonster, the song offers a compact example of how mood, pacing, and a recognizable point of view can meet in one place. It is a track for focused listening, especially when the details around the main idea begin to reveal their own quiet pull. The clarity of that approach is its own strength, because it lets the feeling come through without turning every moment into a dramatic demand. Even when it aims for immediacy, the track avoids feeling disposable because its atmosphere remains distinct after the final note. Its emotional center stays firmly in view throughout.