Calabria 2007 (Radio Edit)
Enur · Calabria 2007
Easy now no need fi go down,
easy now no need fi go down,
rock that run that, this where we from
(repeat 2x)
Whoop Whoop
When you gonna come around?
Cu(z) I kno ur the talk of the town yea
(repeat 4x)
Easy now no need fi go down
Just walk it gently and no break nah bone,
Cool end-it-ly, you have a style of your own,
Me never kno you saw ya master the saxophone
cause u sound like the talk of the town yea,
imma look u when u run come around yea,
make me wobble, make me whole body bubble,
an me no say ya trouble, when ya ready for the double,
and n u hit that,
no ti-na the mickle
play with it a lickle, why you so na tickle
im tellin' you to, hit that
no ti-na the mickle
stay with it a lickle, why you so na tickle
im feelin' them
(whoop whoop)
easy now no need fi go down,
easy now no need fi go down,
walk it gently and no break nah bone
Whoop Whoop
When you gonna come around?
Cu(z) I kno ur the talk of the town yea
(repeat 4x)
Best shown overall, shiny and tall,
One touch make a gal climb whoever you are,
Brass hat, hatter than fireball
Whoop Whoop!
You not small you not lickle at all
Dat touch, just dip on me mind yea
The good feelin dip on rewind yea
make me wobble, make me whole body bubble,
an me no say ya trouble, when ya ready for the double,
and n u hit that,
no ti-na the mickle
play with it a lickle, why you so na tickle
im tellin' you to, hit that
no ti-na the mickle
stay with it a lickle, why you so na tickle
im feelin' them
Walk it gently and no break nah bone
easy now no need fi go down,
easy now no need fi go down,
rock that run that, this where we from
(repeat 2x)
Whoop Whoop
When you gonna come around?
Cu(z) I kno ur the talk of the town yea
(repeat 8x)
Whooop Whooop!!!
(Thanks to AnUp & Leigh for these lyrics)
About Calabria 2007 (Radio Edit)
"Calabria 2007 (Radio Edit)" finds Enur in a pop-minded frame, where a clear central idea and emotional directness are the real strengths. The title gives the song a sharp center of gravity, but the mood is what stays with the listener once the first impression passes. There is a welcome sense of proportion in the way the music presents itself: the hook has room to land, while the surrounding moments support it instead of competing for attention. The best moments are the ones that let the central idea return with a little more weight each time, instead of forcing a bigger gesture. For listeners returning to Enur, the song offers a compact example of how mood, pacing, and a recognizable point of view can meet in one place. That patience gives the track replay value: it feels immediate, yet it leaves enough space for small details and shifts in feeling to register later. The clarity of that approach is its own strength, because it lets the feeling come through without turning every moment into a dramatic demand. Even when it aims for immediacy, the track avoids feeling disposable because its atmosphere remains distinct after the final note. Its emotional center stays firmly in view throughout.