Nice To Each Other
Olivia Dean · Nice To Each Other
Fighting what's in front of me
There's so much to unpack again
But if I come to Italy
We could be nice to each other
Nice to each other
Wrong for each other
Right for each other
And rise to each other
Rise to each other
I don't know where the switches are
Or where you keep the cutlery
And I'll probably crash your stupid car
And make your life a misery
But we could be nice to each other
Nice to each other
Wrong for each other
Right for each other
And rise to each other
Rise to each other
'Cause you know I've done all the classic stuff
And it never works, you know it
So can we say we'll never say the classic stuff
Just show it
Now and know it
Now now now now
Meet me on the mountain top
I'll be in the shallow end
And wait for you to call it off
'Cause I don't want a boyfriend
But we could be nice to each other
Nice to each other
Wrong for each other
Right for each other
And rise to each other
Rise to each other
'Cause you know I've done all the classic stuff
And it never works, you know it
So can we say we'll never say the classic stuff
Just show it
Water, sunlight, talking all night
Just enough to grow it
Now and know it
Now now now now
It could be nice (It could be nice)
It could be so nice (It could be so nice)
Oh we could be nice to
Oh to each other
Mmm we could be nice to
Oh to each other
Mmm it could be nice to
Oh to each other
Mmm we could be nice to
Oh to each other
About Nice To Each Other
"Nice To Each Other" finds Olivia Dean in a soulful frame, where warmth, phrasing, and emotional control carry the mood. Its appeal comes from commitment to a single emotional temperature rather than from trying to impress through sheer scale. There is a welcome sense of proportion in the way the music presents itself: the hook has room to land, while the surrounding moments support it instead of competing for attention. Small changes in intensity keep the song moving and stop its main idea from becoming static, giving the performance a natural sense of flow. For listeners returning to Olivia Dean, the song offers a compact example of how mood, pacing, and a recognizable point of view can meet in one place. The result is a focused piece of music that works in the moment but still has enough character to invite a return visit. The clarity of that approach is its own strength, because it lets the feeling come through without turning every moment into a dramatic demand. Even when it aims for immediacy, the track avoids feeling disposable because its atmosphere remains distinct after the final note. Its emotional center stays firmly in view throughout.