Vvs
Voyage · VVS
Sve na meni VVS
Lambo, Brabus, vidi me
Skini se da snimim te
Vroom, vroom, pali je
To što radim najbolje
Vroom, vroom, mani je
Ma tebra, mani je
Preko duple linije
Sve na meni VVS
Lambo, Brabus, vidi me
Skini se da snimim te
Vroom, vroom, pali je
To što radim najbolje
Vroom, vroom, mani je
Ma tebra, mani je
A tu su hotel i plaza, leti na front, Casablanca
Lepa je i arogantna, a meni treba baš takva
To, bebo, prva je klasa, a Rollie pun dijamanta
Živim k'o da mi je svaki dan, bato, roÄ‘endan sada
A ja, a ja noćima tu lutam, noćima bez sna
A ja, a ja trošim, plaćam, bacam pare svaki dan
A ja, a ja živim danas k'o da ništa ne moram
A ja, a ja tebe vozim kao Rimac Nevera
Preko duple linije
Sve na meni VVS
Lambo, Brabus, vidi me
Skini se da snimim te
Vroom, vroom, pali je
To što radim najbolje
Vroom, vroom, mani je
Ma tebra, mani je
Preko duple linije
Sve na meni VVS
Lambo, Brabus, vidi me
Skini se da snimim te
Vroom, vroom, pali je
To što radim najbolje
Vroom, vroom, mani je
Ma tebra, mani je
Ona dobro zna ko sam i voli taj gas
Oće samo da je vozim tamo gde nisam do sad (yeah)
Došao iz geta, imam IQ200
BlockLife, Level up, više love nego Ceca
Veza - ne treba mi
Brzo u Penthouse bani
Zovem taxi, dolazi mi druga, ajde pali (mrš)
Oćeš poklone? Ribo, ne zovem te
Da mi duvaš svećice, sad ga duvaj srećice
Preko duple linije
Sve na meni VVS
Lambo, Brabus, vidi me
Skini se da snimim te
Vroom, vroom, pali je
Sve što radim najbolje
Vroom, vroom, mani je
Ma, tebra mani je
Preko duple linije
Sve na meni VVS
Lambo, Brabus, vidi me
Skini se da snimim te
Vroom, vroom, pali je
To što radim najbolje
Vroom, vroom, mani je
Ma, tebra mani je
About Vvs
"Vvs" finds Voyage in a pop-minded frame, where a clear central idea and emotional directness are the real strengths. The title gives the song a sharp center of gravity, but the mood is what stays with the listener once the first impression passes. There is a welcome sense of proportion in the way the music presents itself: the hook has room to land, while the surrounding moments support it instead of competing for attention. The best moments are the ones that let the central idea return with a little more weight each time, instead of forcing a bigger gesture. For listeners returning to Voyage, the song offers a compact example of how mood, pacing, and a recognizable point of view can meet in one place. That patience gives the track replay value: it feels immediate, yet it leaves enough space for small details and shifts in feeling to register later. The clarity of that approach is its own strength, because it lets the feeling come through without turning every moment into a dramatic demand. Even when it aims for immediacy, the track avoids feeling disposable because its atmosphere remains distinct after the final note. Its emotional center stays firmly in view throughout.