(I Can't Get No) Satisfaction (Mono)

The Rolling Stones · Singles 1965-1967

I can't get no satisfaction
I can't get no satisfaction
'Cause I try
And I try
And I try
And I try
I can't get no
I can't get no

When I'm drivin' in my car
And the man comes on the radio
He's tellin' me more and more
About some useless information
Supposed to drive my imagination

I can't get no
Oh no, no, no
Hey, hey, hey
That's what I say

I can't get no satisfaction
I can't get no satisfaction
'Cause I try
And I try
And I try
And I try
I can't get no
I can't get no

When I'm watchin' my TV
And a man comes on and tells me
How white my shirts could be
But he can't be a man
'Cause he doesn't smoke
The same cigarettes as me

I can't get no
Oh no, no, no
A hey, hey, hey
That's what I say

I can't get no satisfaction
I can't get no girl reaction
'Cause I try
And I try
And I try
And I try
I can't get no
I can't get no

When I'm ridin' round the world
And I'm doin' this and I'm signing that
And I'm tryin' to make some girl
Who tells me, "baby better come back
Maybe next week
'Cause you see I'm on
A losing streak"

I can't get no
Oh no, no, no
A hey, hey, hey
That's what I say

I can't get no
I can't get no
I can't get no
Satisfaction
No satisfaction
No satisfaction
No satisfaction
I can't get no

The original single sound in mono

This entry is specifically the mono mix of “(I Can’t Get No) Satisfaction,” not just an album-era stereo presentation of the Rolling Stones’ best-known riff. In mono, the fuzz-guitar figure, rhythm section and vocal sit together as a concentrated block of sound, close to the way listeners encountered the original 1965 single. The performance’s persistent tension—an insistent groove meeting a lyric about frustration—helped make the track feel both rebellious and immediately accessible.

The single was recorded in 1965 at RCA Studios in Hollywood, produced by Andrew Loog Oldham, and built around Keith Richards’ now-famous fuzz-tone guitar hook. The mono title on *Singles 1965–1967* identifies a particular presentation of the historic recording; it is not a new performance. It remains an important distinction for listeners comparing catalog versions, especially since the original single mix and later stereo releases can make the arrangement feel different even though the underlying take is the same.

“Satisfaction” reached No. 1 in both the United States and the United Kingdom, becoming the Rolling Stones’ first US chart-topper and one of their defining international hits. Its impact extended beyond chart success: the riff became a template for guitar-driven rock, while the song’s lyrical impatience made it an enduring expression of dissatisfaction with consumer culture and conformity. This mono entry therefore preserves the single-era sound of a landmark rather than offering an alternate interpretation of the song.