Perra

Elilluminari · Perra

Loco, tu mujer es una perra, una diabla
Mira como me ladra y me dice
Guau guau
Loco, tu mujer es una perra, una diabla
Mira como me habla y me dice
Guau guau
Loco
Tu mujer es una perra
Loco
Tu mujer es una perra
Loco
Tu mujer es una perra
Loco
Tu mujer es una perra
Loco, yo ando con mis tenis por la para
Fumando marihuana me dice qué lo que pasa
Hey loco
Yo ando con mis tenis por la para
Fumando marihuana me dice qué lo qué pasa
Hey loco
Se vacila con poco, yo no quiero tu toto
Lo tienes muy roto, bebé
Loco se vacila con poco, yo lo quiero tu toto
Lo tienes muy roto, bebé
Me dijeron que tú eras menor
Que yo era mayor
Que tú, que yo lo hacemos los dos
No quiero tener coro con esta situación
Como se enteré su padre, e que se va enterar soy yo
Que tú, que yo, tra-tra
Que yo, que tú, tra-tra
Que tú, que yo, tra-tra
Que yo, que tú, tra-tra
Loco, tu mujer es una perra (Loco, loco, loco, loco)
Loco, tu mujer es una perra
Loco, tu mujer es una perra
Loco, tu mujer es una perra
(Perra, perra, perra)
Mira como me ladra y me dice
Loco, tu mujer es una perra, una diabla
Mira como me ladra y me dice
Guau guau
Tra, triquitra triquitra triquitra triquitra triquitra
Me quedé sin fuleteo
Tra, triquitra triquitra triquitra triquitra triquitra
Me quedé sin fuleteo
Teo teo teo teo teo
Me quedé sin fuleteo
Teo teo teo teo teo
Me quedé sin fuleteo
Ah, loco, el trio de Ases
Orina a Don Mando, el alienígena
Con mi hermanito el
Efe, nos vamos a quedar con to' oh
Mami, acuérdate de mi cara
Porque yo voy a ser el número uno
El número uno, bebé
Loco, tu mujer es una perra (Loco, loco, loco, loco, loco)
Loco, tu mujer es una perra (Loco, loco, loco, loco, loco)
Loco (loco, loco) tu mujer e' una perra (perra, perra)
Loco (loco, loco) tu mujer e' una perra (perra, perra, perra)

Elilluminari’s ‘Perra’ leans on shock, repetition and bravado

Elilluminari’s ‘Perra’ is arranged around a blunt, repeated insult, using barking ad-libs and short phrases as its main hook. The lyric moves through boasts and club-oriented lines before breaking into self-promotion, where the narrator predicts future fame and claims the number-one spot. That switch from provocation to ambition gives the track a loose, deliberately unruly structure. Its Spanish slang and repeated vocal tags create a chant-like effect, although the central language is objectifying rather than affectionate. The song’s title translates literally to “bitch,” and the lyric repeatedly applies that insult to a woman.

The available catalog information identifies ‘Perra’ as an Elilluminari release dated 4 March 2018 and credits Alvaro Fernandez Gomez as composer. Beyond those basic release facts, reliable independent reporting, chart data and a substantial professional review are difficult to find. That makes it important not to inflate the recording into a documented hit or claim a scene-wide impact without evidence. The page’s album field repeats the single title, a common streaming-catalog presentation that does not necessarily mean it belongs to a separately issued album.

There is also a troubling line in the supplied lyric that invokes a minor/adult age difference in a sexual context. Because the transcript gives no verified context or clarification, it should not be played off as harmless shock humour; it raises a consent and safeguarding concern, and the text alone cannot establish what the artist intended. No chart or reception claim is made here. As a result, the most responsible description stays close to the evidence: a low-profile 2018 Spanish-language track built around repetition, deliberately provocative language and a late burst of self-mythologizing, with an unresolved and disturbing age reference in its lyrics.