Don't Take Your Guns To Town

Johnny Cash · Hello I'm Johnny Cash

A young cowboy named Billy Joe grew restless on the farm
A boy filled with wonderlust who really meant no harm
He changed his clothes and shined his boots
And combed his dark hair down
And his mother cried as he walked out

Chorus
Don't take your guns to town son
Leave your guns at home Bill
Don't take your guns to town

He laughed and kissed his mom
And said your Billy Joe's a man
I can shoot as quick and straight as anybody can
But I wouldn't shoot without a cause
I'd gun nobody down
But she cried again as he rode away

Chorus
Don't take your guns to town son
Leave your guns at home Bill
Don't take your guns to town

He sang a song as on he rode
His guns hung at his hips
He rode into a cattle town
A smile upon his lips
He stopped and walked into a bar
And laid his money down
But his mother's words echoed again

Chorus
Don't take your guns to town son
Leave your guns at home Bill
Don't take your guns to town

He drank his first strong liquor then to calm his shaking hand
And tried to tell himself he had become a man
A dusty cowpoke at his side began to laugh him down
And he heard again his mothers words

Chorus
Don't take you2 guns to town son
Leave your guns at home Bill
Don't take your guns to town

Filled with rage then
Billy Joe reached for his gun to draw
But the stranger drew his gun and fired
Before he even saw
As Billy Joe fell to the floor
The crowd all gathered 'round
And wondered at his final words

Chorus
Don't take your guns to town son
Leave your guns at home Bill
Don't take your guns to town

Don't Take Your Guns To Town

Johnny Cash's 'Don't Take Your Guns To Town' stands as a defining track from his 1969 self-titled album, 'Hello I'm Johnny Cash.' Recorded during a pivotal period in his career, the song blends his signature twang with a reflective tone that explores the complexities of rural life and the tension between law enforcement and the people they serve. The recording captures Cash's ability to deliver a narrative that feels both personal and universal, characteristic of his work in the country and folk genres of the late 1960s. It remains a staple of his discography, illustrating his commitment to storytelling and his unique voice that resonated across generations.