Fuck Murder Inc
Tupac Shakur · Other Songs - 2 Pac
Ja Rule:
Everyone wants to comparisons to Pac, X and me.
Yall wanna see Pac come come back, yall wanna see this shit
itÂ’s here nigga,
its here.
And IÂ’m taking it to the streets
to the mic,
any where yall like it
2Pac:
Ja Rule killer,
Murder Inc killer,
you niggaz know what it is.
Irv Gotti can get dropped.
You niggaz donÂ’t wanna stop us.
Ja rule killer.
Yall niggaz want to mother fucking wanna bees niggaz
. Please, turn it up please.
I give a fuck what niggaz nail.
IÂ’m tired of these boring niggaz claming to be Makavelli.
Ja Rule killer.
How you mother fucker get a way with that.
Rapping on Pac beats even though you wack.
ItÂ’s a fact.
and then you let masoona, was a thug on you label as a new beat crewer.
Ivr Gotti got a 40 glock for your body
. Kidnap your ass and take ya to a gangsta party.
So you can stand,
cuz you aint never been there.
And the last thing you wanna do is to become a declare.
War.
I whop that ass so you donÂ’t flaunt no more.
J S scar beat and promote your whore.
And probably more then one bitch.
IÂ’m working them all.
Every murder Inc bird you call.
And I myd as well mention Jigga.
Jacking me and thugs,you bitch ass nigga.
And thug us call.
Now you got to crawl,
trying to fool mother fucker like you whopped us all.
Walking next to me,
you niggaz canÂ’t flex with me.
Your crew stinks like Ja Rule fucked on Ecstasy.
I love bringing drama to all your fucking mama
and shit you canÂ’t tell and shit you canÂ’t trick out yea melon
Fuck Murder Inc
Tupac Shakur's 'Fuck Murder Inc' stands as a defiant anthem from his later years, reflecting the intense personal and professional conflicts that defined his final period. Recorded during the turbulent era surrounding his legal battles and the rise of his 'Makaveli' project, the track channels his signature blend of gritty storytelling and aggressive flow. The song serves as a direct confrontation against the music industry's exploitative practices and the violence that plagued his life, utilizing a raw, unpolished production style typical of his post-'All Eyez on Me' recordings. It captures the urgency and frustration of an artist fighting for creative control while navigating the dangers of his public persona, cementing its place as a crucial document of his struggle for autonomy in the late 1990s.