I'm A Bomb
Natasha Bedingfield · Unwritten
Taxi ride, going down town
Me and my girls, going out
counting down to detonation
10 to zero, mushroom cloud
Little angel, i'v been too good
Ditch the halo for a while
Dressed to kill i'll be causing
Mass desruction, so shield your eyes
i'm all steamed up and ready to blow
Pressure max, meter red overload
To get release i gotta explode
I'm a bomb, can you hear me tick?
Beware if you turn me on
There is no safety switch
I'm a bomb use only steady hands
To mess with me
You must be a brave man
Bass so loud, i can't hear you
Can't defuse me not im wired
Do not disturb while i'm dancing
watch me set this house on fire
I'm a bomb, can you hear me tick?
Beware if you turn me on
There is no safety switch
I'm a bomb use only steady hands
To mess with me
You must be a brave man
Club crescendo getting loud
Run for cover underground
what are you doing showing me no fear
You must be crazy hanging around here
Me and my girls, going out
counting down to detonation
10 to zero, mushroom cloud
Little angel, i'v been too good
Ditch the halo for a while
Dressed to kill i'll be causing
Mass desruction, so shield your eyes
i'm all steamed up and ready to blow
Pressure max, meter red overload
To get release i gotta explode
I'm a bomb, can you hear me tick?
Beware if you turn me on
There is no safety switch
I'm a bomb use only steady hands
To mess with me
You must be a brave man
Bass so loud, i can't hear you
Can't defuse me not im wired
Do not disturb while i'm dancing
watch me set this house on fire
I'm a bomb, can you hear me tick?
Beware if you turn me on
There is no safety switch
I'm a bomb use only steady hands
To mess with me
You must be a brave man
Club crescendo getting loud
Run for cover underground
what are you doing showing me no fear
You must be crazy hanging around here
I'm A Bomb
Natasha Bedingfield's 'I'm A Bomb' serves as a high-energy anthem from her 2004 debut album, Unwritten. The track exemplifies her signature pop-rock style, blending upbeat rhythms with anthemic vocals that defined the mid-2000s pop landscape. As a lead single, the recording captured the confident, self-assured persona Bedingfield established early in her career, resonating with listeners seeking an empowering soundtrack. Its placement on Unwritten highlights its role as a cornerstone of her discography, showcasing her ability to craft catchy, radio-friendly pop tracks that balanced commercial appeal with genuine emotional resonance. The song remains a testament to her early impact on modern pop music.