Money Talks

AC/DC · The Razor's Edge

Tailored suits, show of your cars
Fine hotels and big cigars
Up for grabs, up for a price
Where the red hot girls keep on dancing through the night
The claim is on you
The sights are on me
So what do you do
That's guaranteed
Hey little girl, you want it all
The furs, the diamonds, the painting on the wall

Come on, come on, lovin for the money
Come on, come on, listen to the money talk
Come on, come on, lovin for the money
Come on, come on, listen to the money talk

A French maid, foreign chef
A big house with king size bed
You've had enough, you ship them out
The dollar's up-down, you'd better buy the pound
The claim is on you
The sights are on me
So what do you do
That's guaranteed
Hey little girl, you broke the laws
You hustle, you deal, you steal from us all

Come on, come on, lovin for the money
Come on, come on. listen to the money talk
Come on, come on, lovin for the money
Come, come on, listen to the money talk
Money talks, yeah, yeah

Money talks, B.S. walks
Money talks, come on, come on

Come on, come on, lovin for the money
Come on, come on, listen to the money talk
Come on, come on, lovin for the money
Come on, come on, listen to the money talk

Money talks, money talk, talk, talk
Hear it talk

Yeah, yeah, yeah money talks

Money Talks

Money Talks stands as a defining track on AC/DC's 1983 album The Razor's Edge, showcasing the band's signature blend of hard rock and blues-inflected energy. Written by Angus Young and Brian Johnson, the song captures the rebellious spirit of the era with its driving rhythm and anthemic chorus. It serves as a quintessential example of the band's ability to craft high-energy rockers that resonate across generations, fitting seamlessly into their discography alongside hits like Back In Black and High Voltage. The recording exemplifies the polished yet raw production style that characterized AC/DC's work during the early 1980s, reinforcing their status as pioneers of modern hard rock.