We Own The Night
Selena Gomez · When The Sun Goes Down
Hope you don't mind, if you stay by my side
We can drive in your car somewhere into the dark,
Pull over and watch the stars
We can dance, we can sing, do whatever you think
As long as I'm with you
When we are together is the time of our lives
We can do whatever, be whoever we like
Spend the weekend dancing, 'cause we sleep when we die
Don't have to worry 'bout nothing
We own the night
We own the night (3x)
It's all a blur, it's getting late, but I don't care
I don't know where we'll end up and that's OK
We can drive in your car somewhere into the dark,
Pull over and watch the stars
We can dance, we can sing, do whatever you think
As long as I'm with you
When we are together is the time of our lives
We can do whatever, be whoever we like
Spend the weekend dancing, 'cause we sleep when we die
Don't have to worry 'bout nothing
We own the night
We own the night
Nothing last forever, let's live it up, when we're together
Nothing last forever, so let's live it up
Just do whatever
When we are together is the time of our lives
We can do whatever, be whoever we like
Spend the weekend dancing, 'cause we sleep when we die
Don't have to worry 'bout nothing
We own the night
When we are together is the time of our lives
We can do whatever, be whoever we like
Spend the weekend dancing, 'cause we sleep when we die
Don't have to worry 'bout nothing
We own the night
We own the night (3x)
We Own The Night
We Own The Night stands as a vibrant song in Selena Gomez's early pop discography, appearing on her 2011 album When The Sun Goes Down. The track captures the energetic, dance-pop sound that defined her transition from teen idol to a mainstream pop force. Musically, the song relies on driving rhythms and bright production values typical of the era, showcasing Gomez's ability to deliver upbeat anthems. While the album explored various sonic textures, this recording emphasizes a confident, celebratory mood that resonated with fans during that period. It remains a notable example of her work in the English-language pop genre, reflecting the polished production style that characterized her recordings before her later shifts toward more introspective themes.