How Can You Mend A Broken Heart

Michael Buble · Collection

I can think of younger days

When living for my life

Was everything a man could want to do

I could never see tomorrow

But I was never told about the sorrow



And how can you mend a broken heart?

How can you stop the rain from falling down?

How can you stop the sun from shining?

What makes the world go round?



How can you mend this broken man?

How can a loser ever win?

Please help me mend my broken heart

And let me live again



I can still feel the breeze

That rustles through the trees

And misty memories of days gone by

We could never see tomorrow

No one said a word about the sorrow



And how can you mend a broken heart?

How can you stop the rain from falling down?

How can you stop the sun from shining?

What makes the world go round?



And how can you mend this broken man?

(And how can you mend this broken man?)

How can a loser ever win?

(How can a loser ever win?)

Please help me mend my broken heart

And let me live again



how can you mend this broken man?

How can you mend?

How can a loser ever win?

How can you win

Please help me mend my broken heart

And let me live again

And let me live again

About How Can You Mend A Broken Heart

Michael Bublé's "How Can You Mend A Broken Heart" stands as a poignant example of his signature smooth jazz-pop style, blending traditional balladry with contemporary R&B influences. Recorded for his 2005 compilation *Collection*, the track exemplifies his mastery of vocal phrasing and emotional delivery, characteristic of his career-defining era in the mid-2000s. The song reflects the timeless theme of heartbreak and resilience, a subject Bublé has explored extensively across his discography, from early covers to original compositions. Its inclusion on a compilation album highlights its status as a staple within his catalog, often performed live to connect with audiences through its melodic structure and heartfelt lyrics. As a key component of his broader body of work, the recording reinforces his reputation as a master of crooning and a significant figure in the modern pop-jazz revival.