Grantchester Meadows

Pink Floyd · Ummagumma [1969]

"Icy wind of night be gone this is not your domain"

In the sky a bird was heard to cry.

Misty morning whisperings and gentle stirring sounds

Belied the deathly silence that lay all around.



Hear the lark and harken to the barking of the dog fox

Gone to ground.

See the splashing of the kingfisher flashing to the water.

And a river of green is sliding unseen beneath the trees

Laughing as it passes through the endless summer

Making for the sea.



In the lazy water meadow I lay me down.

All around me golden sun flakes settle on the ground.

Basking in the sunshine of a bygone afternoon

Bringing sounds of yesterday into this city room.



Hear the lark harken to the barking of the dark fox

Gone to ground.

See the splashing of the kingfisher flashing to the water.

And a river of green is sliding unseen beneath the trees.



In the lazy water meadow I lay me down.

All around me golden sun flakes covering the ground.

Basking in the sunshine of a bygone afternoon

Bringing sounds of yesterday into this city room.



Hear the lark harken to the barking of the dark fox

Gone to ground.

See the splashing of the kingfisher flashing to the water.

And a river of green is sliding unseen beneath the trees,

Laughing as it passes through the endless summer making for the sea.

Grantchester Meadows

Released on the 1969 double album Ummagumma, "Grantchester Meadows" stands as a pivotal work in Pink Floyd's early discography, marking a distinct shift toward ambient soundscapes and experimental studio techniques. Recorded in the English countryside, the track utilizes field recordings to create an immersive, meditative atmosphere that contrasts sharply with the band's earlier rock-oriented output. This piece exemplifies the group's growing interest in atmospheric textures and their willingness to explore non-traditional musical structures, influencing the development of progressive rock and ambient music. The recording serves as a testament to the band's innovative approach to sound design during the late 1960s, offering listeners a rare glimpse into their creative process and commitment to sonic exploration beyond conventional songwriting.