Get Up Get Down
Phillip Phillips · World From The Side Of The Moon [2012]
Find out, what's there, something new you can see
Get up get down get a little bit closer to me
Find out what's there what you can be
Yesterday was our time to turn back again
And instead we went through the fire to get lost in sin
Burn baby burn let me cool you down again
Turn baby turn to see where it all begins
Cause it's alright it's out there
Go and get lost girl
It's alright I'm out there
Let me take control
Get up get down move a little bit closer to the scene
Find out, what's there, something new you can see there
Get up get down get a little bit closer to me, girl
Find out what's there what you can be
Walking over tv on
Let it take control love
Every side inside your body each and every bone
Burn baby burn let's cool it down again
Turn baby turn to see where it all begins
Yeah, it's alright it's out there
Go and get lost girl
It's alright I'm out there
Let me take control
Get up get down move a little bit closer to the scene
Find out, what's there, something new you can see there
Get up get down get a little bit closer to me, girl
Find out what's there what you can be
Na na na na na no
Na na na na na no
Get up get down just a little bit
Get up get down just a little bit
Get up get down let's get lost in this merry go round and round
Na na na na na no
Na na na na na no
Get up get down just a little bit
Get up get down just a little bit
Get up get down find out what's there, find out baby you and me
Get up get down move a little bit closer to the scene
Find out, what's there, something new you can see there
Get up get down get a little bit closer to me, girl
Find out what's there what you can be
Get up get down move a little bit closer to the scene
Find out, what's there, something new you can see there
Get up get down get a little bit closer to me, girl
Find out what's there what you can be
Get Up Get Down
Phillip Phillips' 'Get Up Get Down' stands as a vibrant track from his 2012 debut album, World From The Side Of The Moon. Following his breakthrough success on American Idol, Phillips utilized this recording to showcase a more upbeat, rhythmic side of his musical identity. The song reflects the energetic production style that characterized his early work, moving away from the somber tones of his signature hit to embrace a lively tempo. As part of a discography that blends rock and pop influences, the track highlights Phillips' ability to deliver engaging performances that resonate with a broad audience. This recording remains a notable song in his initial body of work, demonstrating the versatility that helped establish his career in the modern music landscape.