Don't Stop Believin'

Glee Cast · The 3D Concert Movie Soundtrack [2011]

Just a small town girl

Livin' in a lonely world

She took the midnight train going anywhere

Just a city boy

Born and raised in south Detroit

He took the midnight train going anywhere



A singer in a smoky room

I smell of wine and cheap perfume

For a smile they can share the night

It goes on and on and on and on



Strangers waiting

Up and down the boulevard

Their shadows searching in the night

Streetlight people

Living just to find emotion

Hiding somewhere in the night



Working hard to get my fill

Everybody wants a thrill

Payin' anything to roll the dice

Just one more time



Some will win, some will lose

Some are born to sing the blues

Oh, the movie never ends

It goes on and on and on and on



Strangers waiting

Up and down the boulevard

Their shadows searching in the night

Streetlight people

Living just to find emotion

Hiding somewhere in the night



Don't stop believin'

Hold on to that feelin'

Streetlight people



Don't stop believin'

Hold on

Streetlight people



Don't stop

About Don't Stop Believin'

"Don't Stop Believin'" by the Glee Cast serves as a vibrant theatrical reinterpretation of the iconic 1981 rock anthem originally recorded by Journey. This recording appears on the soundtrack for *The 3D Concert Movie*, a production that utilized the show's ensemble to perform classic rock and pop hits in a stylized concert format. The arrangement retains the song's signature driving rhythm and nostalgic melody while adapting the vocals to match the collective voice of the cast, creating a dynamic performance piece that bridges the gap between original rock tradition and modern television music. The track exemplifies the Glee Cast's ability to deliver high-energy performances of well-known songs, often blending theatrical flair with emotional depth. While the original composition remains a staple of rock history, this version highlights the group's versatility in handling complex harmonies and powerful delivery. It stands as a significant example of how classic recordings can be revitalized for new audiences through collaborative reinterpretation, maintaining the song's enduring appeal within the context of contemporary musical theater and television soundtracks.