No BS
Chris Brown · F.A.M.E. (Deluxe Edition) [2011]
3 in the morning
You know I'm horny
So why don't you come over my place?
Put a smile on my face
Leavin' the club
Shawty hurry up
So we can get this party started
And take off our clothes now
You already know what time it is
Reach up in the dresser where them condoms is
And baby, when I get it, I'll never let it go
Gonna take it slow
We ain't gon' stop till 9 a.m.
If you can't take it all, baby, say when
Make you come over and over again
And I'ma leave it in
When we do it all night
We can do it all night
Girl, I'ma give it to you all night
So right, girl
Don't you be on that bullshit
(All night)
Don't you be on that bullshit
(All night)
Don't you be on that bullshit
(All night)
So right, girl
Now there's one or two things that can happen at this time of the hour
So baby, after we get out of the shower
You can race me to the bed
Turn off all the lights and light some candles instead
Oh yeah, I can hear your body calling, baby
Oh yeah, we gon' get freaky, you know
Darlin', you know what time it is, get it in
I'mma do it all
We ain't gon' stop 'til 9 a.m.
If you can't take it all, baby, say when
Make you come over and over again
And I'ma leave it in
When we do it all night
We can do it all night
Girl, I'ma give it to you all night
So right, girl
Don't you be on that bullshit
(All night)
Don't you be on that bullshit
(All night)
Don't you be on that bullshit
(All night)
So right, girl
We can do it all, all night, girl
We can do it all, all night, girl
We can do it all, all night, girl
We can do it all, all night, baby, all night, yeah
All night
We can do it all night
Girl, I'mma give it to you all night
So right, girl
Don't you be on that bullshit
(All night)
Don't you be on that bullshit
(All night)
Don't you be on that bullshit
(All night)
So right, girl
Don't you be on that bullshit
Don't you be on that bullshit
Don't you be on that bullshit
When you leavin' the club
I just want you to come over, girl
You know I'm horny
So why don't you come over my place?
Put a smile on my face
Leavin' the club
Shawty hurry up
So we can get this party started
And take off our clothes now
You already know what time it is
Reach up in the dresser where them condoms is
And baby, when I get it, I'll never let it go
Gonna take it slow
We ain't gon' stop till 9 a.m.
If you can't take it all, baby, say when
Make you come over and over again
And I'ma leave it in
When we do it all night
We can do it all night
Girl, I'ma give it to you all night
So right, girl
Don't you be on that bullshit
(All night)
Don't you be on that bullshit
(All night)
Don't you be on that bullshit
(All night)
So right, girl
Now there's one or two things that can happen at this time of the hour
So baby, after we get out of the shower
You can race me to the bed
Turn off all the lights and light some candles instead
Oh yeah, I can hear your body calling, baby
Oh yeah, we gon' get freaky, you know
Darlin', you know what time it is, get it in
I'mma do it all
We ain't gon' stop 'til 9 a.m.
If you can't take it all, baby, say when
Make you come over and over again
And I'ma leave it in
When we do it all night
We can do it all night
Girl, I'ma give it to you all night
So right, girl
Don't you be on that bullshit
(All night)
Don't you be on that bullshit
(All night)
Don't you be on that bullshit
(All night)
So right, girl
We can do it all, all night, girl
We can do it all, all night, girl
We can do it all, all night, girl
We can do it all, all night, baby, all night, yeah
All night
We can do it all night
Girl, I'mma give it to you all night
So right, girl
Don't you be on that bullshit
(All night)
Don't you be on that bullshit
(All night)
Don't you be on that bullshit
(All night)
So right, girl
Don't you be on that bullshit
Don't you be on that bullshit
Don't you be on that bullshit
When you leavin' the club
I just want you to come over, girl
No BS
Chris Brown's "No BS" serves as a high-energy anthem from his 2011 album F.A.M.E., showcasing his signature blend of R&B and pop with an aggressive, dance-oriented production. Released during a pivotal era in his career, the track exemplifies his ability to deliver confident, rhythmic vocals over a driving beat that dominated radio play. The song reflects the bold, unapologetic persona Brown cultivated in the early 2010s, emphasizing themes of authenticity and self-assurance without relying on lyrical complexity. As a staple of his discography, it remains a defining recording that highlights his vocal range and the polished sound characteristic of his work during this period.

