Cajun Baby

Hank Williams Jr. · Icon [2012]

Way down yonder in the bayou country in dear old Louisianne

That's where lives my Cajun baby, the fairest one in the land

Her teeth're white and pearly hair black as coal

Wouldn't trade my Cajun baby for the world's gold

Way down yonder in the bayou country in dear old Louisianne



My heart's been sad and lonely since the day I left her side

But today I got her letter said she'd be my Cajun bride

Gonna go and wed my Cajun baby and live by the old bayou

Eat a lotsa shrimp and crawfish ride around in my old pirogue



Way down yonder in the bayou country in dear old Louisianne

That's where lives my Cajun baby, the fairest one in the land

Her teeth're white and pearly hair black as coal

Wouldn't trade my Cajun baby for the world's gold

Way down yonder in the bayou country in dear old Louisianne



Before the sun goes down this evening, I'll be on my way

To see my Cajun baby and there I'm gonna stay

On a Saturday night we go dancin' and listen to the fiddle-o

Lord I got me a Cajun baby just a livin' and a lovin' by the old bayou



Way down yonder in the bayou country in dear old Louisianne

That's where lives my Cajun baby, the fairest one in the land

Her teeth're white and pearly hair black as coal

Wouldn't trade my Cajun baby for the world's gold

Way down yonder in the bayou country in dear old Louisianne

Cajun Baby

Hank Williams Jr.'s "Cajun Baby" stands as a defining track on his 2012 album Icon, showcasing his mastery of blending traditional country with Southern rock and blues influences. Recorded during a period where the artist continued to refine his signature sound, the song exemplifies his ability to weave complex instrumentation with a raw, emotional vocal delivery. As a staple of his discography, it reflects the enduring legacy of his father, Hank Williams, while firmly establishing Hank Jr.'s own identity within the outlaw country genre. The recording captures the gritty, authentic spirit that characterized his live performances and studio work throughout the late 20th and early 21st centuries, cementing its place among his most recognizable contributions to American roots music.