Old Folks

A · 'A' Vs Monkey Kong [2000]

I don't know I'm born, I'm only young

I don't have a choice, you know I'm only young

I'm getting older, I'm getting smaller

Everybody tells you, "you've got to walk taller"

You did a war, and now you're poor

And like your friends, you're gonna get it in the end



You've heard it all before

You can't go on much more

It's not like I think

The old folks are losers

They can't work computers

They die in December time



Can't put it off, you put it on

Don't ever stop, it doesn't last long

The younger folk, they

Don't understand, they

Back in the day, they

You're gonna get it in the end



You heard it all before

You can't go on much more

Its not like I think

The old folks are losers

They can't work computers

They die in December time



Fall down for no reason

The churches are heaving

The old folks, they live the life



I'm down on the [...], I'll settle down

[...]

You're gonna get it in the end,

You're gonna get it in the end



The old folks are losers, they can't work computers

The old folks are losers, they can't work computers



The old folks are losers

They can't work computers

They die in December time



Fall down for no reason

The churches are heaving

The old folks remember why



The old folks are losers

They can't work computers

They die in December time

Old Folks

A haunting track from the 2000 album 'A' Vs Monkey Kong, 'Old Folks' exemplifies the atmospheric and melancholic sensibilities of the artist. The recording blends ambient textures with a subdued vocal delivery, characteristic of the work found on this specific release. While the song lacks a traditional rhythmic drive, it serves as a reflective piece within the broader catalogue, inviting listeners into a contemplative soundscape. Its inclusion on the album highlights a period where the artist explored quieter, more introspective territories, distinct from the more upbeat tracks released in earlier years. The song stands as a testament to the artist's ability to craft evocative environments through minimal instrumentation and emotional restraint.