Submission

Ash · Free All Angels

sink into warm flesh
i want to taste your skin
want to see you undressed
and see you shake your thing
you're bound and helpless
and burning from within
there for the taking
i want to hear you sing

you turn me on,
you cut me with your tongue
you take it all on, submission
you turn me on,
you cut me with your tongue
you take it all on, submission

there's nothing i won't do
even if it's wrong
to please you
that's where i'm coming from
you warp my senses
you're coming on so strong
i gotta go down
i gotta get it on

you turn me on, you cut me with your tongue
you take it all on, submission
you turn me on, you cut me with your tongue
you take it all on, submission

sink into warm flesh
you got me in a daze
you give me fever
you hold me in your sway
you're my addiction
for you i'd take the pain
feel the friction
and take it all the way

you turn me on, you cut me with your tongue
you take it all on, submission
you turn me on, you cut me with your tongue
you take it all on, submission
you turn me on, you cut me with your tongue
you take it all on, submission
you turn me on, you cut me with your tongue
you take it all on, submission

Submission

Submission stands as a defining track from Ash's 2001 album Free All Angels, capturing the band's evolution into a more textured, atmospheric sound. Moving beyond the straightforward punk energy of their earlier years, the recording showcases the group's ability to blend melodic rock with intricate guitar work and emotional depth. The song reflects the band's willingness to experiment with dynamics, balancing driving rhythms with moments of introspection that became characteristic of this era. As part of a critically acclaimed album, Submission highlights the songwriting maturity of the group, offering a listening experience that resonates with fans of alternative rock. The track remains a significant song in their discography, demonstrating how the band successfully navigated shifting musical landscapes while maintaining their distinct identity.