Mary Ellen Makes The Moment Count

A · Minor Earth Major Sky [2000]

Mary cries out: "for the love of God"

As she's walking out of the laundromat

Down the street and it's the short way home

Feeling special cause she's so alone



But we know

The world's full of lonely people

And it shows

The world's full of lonely people



She shrugs her coat off and unlocks the door

Eats her dinner on the kitchen floor

Writes a poem and turns the radio on

Every singer sings the same old song



And it goes:

The world's full of lonely people

And it shows

The world's full of lonely people



But when we she wanted me to go

She just had to let it show

To bring me down

If she wanted me to leave

She just wore it on her sleeve

But at least, I was around



But when we she wanted me to go

She just had to let it show

To bring me down

If she wanted me to leave

She just wore it on her sleeve

At least, I was around



Mary Ellen makes the moment count

As she's looking through old photographs

Pictures taken from an early age

Faces look back at her from the page

And they say



The world's full of lonely people

It's ok

The world's full of lonely people

It's ok

The world's full of lonely people



But when we she wanted me to go

She just had to let it show

To bring me down

If she wanted me to leave

She just wore it on her sleeve

But at least, I was around

I was around

I was around

I was around



Mary Ellen makes the moment count

Mary Ellen Makes The Moment Count

A's 1990s electro-industrial track 'Mary Ellen Makes The Moment Count' appears on the album Minor Earth Major Sky [2000]. The song exemplifies the artist's signature blend of mechanical rhythms and atmospheric textures, characteristic of the genre's evolution during that period. While the track shares thematic elements with other works on the discography, such as 'I Wish I Cared', it stands out for its driving beat and distinct vocal delivery. Released alongside albums like How Ace Are Buildings and East Of The Sun, West Of The Moon, the recording reflects the broader sound of early 2000s electronic music, utilizing synthesized layers to create an immersive sonic landscape that defines the era's industrial aesthetic.