Another Good Reason

Alan Jackson · High Mileage [1998]

(Harley Allen/Carson Chamberlain)



I woke up the other night lying on the floor

Right beside someone I've never seen before

She said, ''My name's Juliet, and Romeo you ain't.''

That's another good reason not to drink.



That's another good reason not to drink

When I'm sober I'm almost a saint

If I keep going on like this I'll end up like ole Hank

That's another good reason not to drink.



I cant go see my best friend, he said, ''Stay away.''

Just because of what I said on his wedding day

He oughta call her Shermam 'cause she looks just like a tank

That's another good reason not to drink.



That's another good reason not to drink

When I'm sober I'm almost a saint

If I keep going on like this I'll end up like ole Hank

That's another good reason not to drink.



--- Instrumental ---



I'm gonna sue the city about that policeman

Last night as I left the bar, he stepped right on my hand

He said, ''Are you drunk or blind?'', I said, ''Let me think.''

That's another good reason not to drink.



That's another good reason not to drink

When I'm sober I'm almost a saint

If I keep going on like this I'll end up like ole Hank

That's another good reason not to drink.



Whew.

--- Instrumental ---



That's another good reason not to drink

When I'm sober I'm almost a saint

If I keep going on like this I'll end up like ole Hank

That's another good reason.

Baby, let me in I'm freezing

Another good reason not to drink...



--- Instrumental to fade ---

Another Good Reason

Alan Jackson's "Another Good Reason" stands as a defining track from his 1998 album High Mileage, showcasing his mastery of traditional country storytelling. The song exemplifies the genre's focus on personal narrative and emotional resonance, a hallmark of Jackson's career spanning decades. Released during a period where he solidified his status as a leading figure in contemporary country music, the recording reflects the era's blend of acoustic instrumentation and polished production. It remains a staple in his discography, often cited alongside other signature works like "Way Down Yonder On The Chattahoochie" for its ability to connect deeply with listeners through themes of love and life's challenges. The track continues to be celebrated for its melodic structure and Jackson's distinctive vocal delivery, cementing its place in the catalog of his most enduring contributions to the genre.