Let's Go To Bed

The Cure · Greatest Hits [2001]

Let me take your hand

I'm shaking like milk

Turning

Turning blue

All over the windows and the floors

Fires outside in the sky

Look as perfect as cats

The two of us together again

But it's just the same

A stupid game



But I don't care if you don't

And I don't feel if you don't

And I don't want it if you don't

And I won't say it

If you don't say it first



You think you're tired now

But wait until three...

Laughing at the Christmas lights

You remember

From December



All of this then back again

Another girl

Another name

Stay alive but stay the same

It's just the same

A stupid game



But I don't care if you don't

And I don't feel if you don't

And I don't want it if you don't

And I won't play it

If you don't play it first



You can't even see now

So you ask me the way

You wonder if it's real

Because it couldn't be rain...

Through the right doorway

And into the white room

It used to be the dust that would lay here

When I came here alone



But I don't care if you don't

And I don't feel if you don't

And I don't want it if you don't

And I won't say it

If you don't say it first



Doo doo doo doo

Let's go to bed!

Doo doo doo doo

Let's go to bed!

Let's Go To Bed

The Cure's 'Let's Go To Bed' stands as a quintessential example of their late-period gothic rock and new wave sound, characterized by Robert Smith's haunting vocals and atmospheric production. Released on the 2001 'Greatest Hits' compilation, the track reflects the band's evolution from their early punk roots into a more introspective, melancholic style that defined their career in the 1980s and beyond. The song's moody instrumentation and lyrical themes of intimacy and rest capture the emotional depth that became a hallmark of Smith's songwriting during this era. It remains a staple of their discography, often cited by fans as a defining moment in the post-punk revival and alternative rock landscape.