Father And Son

Cat Stevens · Pirate Radio (Soundtrack) [2009]

It's not time to make a change

Just relax, take it easy

You're still young, that's your fault

There's so much you have to know

Find a girl, settle down

If you want, you can marry

Look at me, I am old

But I'm happy



I was once like you are now

And I know that it's not easy

To be calm when you've found

Something going on

But take your time, think a lot

Well think of everything you've got

For you will still be here tomorrow

But your dreams may not



How can I try to explain

When I do he turns away again

It's always been the same

Same old story;

From the moment I could talk

I was ordered to listen

Now there's a way and I know

That I have to go away

I know I have to go



It's not time to make a change

Just sit down and take it slowly

You're still young that's your fault

There's so much you have to go through (desisions)

Find a girl, settle down

If you want, you can marry

Look at me, I am old

But I'm happy



All the times that I've cried

Keeping all the things I knew inside

It's hard, but it's harder

To ignore it

If they were right I'd agree

But it's them they know, not me

Now there's a way and I know

That i have to go away

I know I have to go

Father And Son

Cat Stevens' 'Father And Son' appears on the 2009 soundtrack album 'Pirate Radio,' serving as a reflective addition to his extensive catalog of folk and pop-rock. The track exemplifies Stevens' signature style, blending acoustic instrumentation with introspective lyrics that explore familial bonds and the passage of time. While not a chart-topper from the original era, the song stands as a testament to his enduring ability to craft emotionally resonant melodies. Recorded during a period where Stevens continued to refine his songwriting, the piece fits within his broader body of work characterized by gentle harmonies and themes of connection. It complements other well-known tracks from his discography, such as 'Morning Has Broken' and 'Wild World,' reinforcing his legacy as a songwriter who prioritized lyrical depth over commercial flash.