Radio
The Corrs · The Works [2007]
There are couples standing in the street
Sharing summer kisses and silly sounds
So I step inside
Pour a glass of wine
With a full glass and empty heart I search for something to occupy my mind
'Cause you are in my head
Swimming forever in my head
Tangled in my dreams
Swimming forever
So I listen to the radio
(Listen to the radio)
And all the songs we used to know
(Listen to them)
So I listen to the radio
(Listen to the radio)
Remember where we used to go
Now it's morning light and it's cold outside
Caught up in a distant dream I turn and think that you are by my side
So I leave my bed and I try to dress
(I try to dress)
Wondering why my mind plays tricks
And fools me into thinking you are there
But you're just in my head
Swimming forever in my head
Not lying in my bed
Just swimming forever
So I listen to the radio
(Listen to the radio)
And all the songs we used to know
(Listen to them)
So I listen to the radio
(Listen to the radio)
Remember where we used to go
So I listen to the radio
(Listen to the radio)
And all the songs we used to know
(Listen to them)
So I listen to the radio
(Listen to the radio)
Remember where we used to go
Yeah
You are in my head
Swimming forever
So I listen to the radio
(Listen to the radio)
And all the songs we used to know
(Listen to them)
So I listen to the radio
(Listen to the radio)
Remember where we used to go
I listen to the radio
(Listen to the radio)
To all the songs we used to know
(Listen to them)
I listen to the radio
(Listen to the radio)
To all the songs
All the songs we used to know
Yeah
All the songs we used to know
Yeah
Yeah
All the songs we used to know
Yeah
Yeah
Radio
Radio stands as a notable track within The Corrs' expansive discography, appearing on their 2007 compilation album, The Works. This collection highlights the Irish quartet's signature blend of Celtic instrumentation and contemporary pop sensibilities that defined their commercial success throughout the late 1990s and 2000s. The song reflects the band's ability to craft accessible melodies while maintaining the distinctive sound of their accordion and violin arrangements. As part of a broader body of work that includes hits like Breathless and All The Love In The World, Radio exemplifies the group's consistent output during this era. The recording captures the polished production style characteristic of their later albums, offering listeners a concise representation of their musical evolution. It remains a testament to their enduring appeal and their capacity to merge traditional influences with modern pop structures.

