I Think I'm Gonna Like It Here

Disney · Annie [1982]

Annie your our guest for christmas

and for the next 2weeks your gonna have a swell time



Cicil will pick out all ur clothes

Green no blue is her colour i think



Your bath is run by Mrs Rear

soap no bubbles i think



Annette comes in to make your bed

silk sheets no satin sheets i think



i think i'm gonna like it here



the swimming pool is to the left



inside the house



uh ha



oh boy



the tennis court is in the rear



i've never picked up a racket



have an instructer here at noon and get that Dun Budge guy if

he's availible



i think im gonna like it here



when u wake ring for drink Drake will bring ur tray

when ur through Mrs Pew comes to take it away



no need to pick up any toys



thats ok i havent got any any way



no finger will u lift my dear



we have but one request

please put us to the test



i know im gonna like it here



used to room

in a tomb

where i'd sit and freeze

get me now

holy cow

could someone pinch me please

ouch



she didnt mean it



we've never had a little girl

we've never had a little girl



i'm very glad to volenteer



we hope you understand

your wish is our command

we know your gonna like it here



WELCOME!

I Think I'm Gonna Like It Here

I Think I'm Gonna Like It Here serves as a pivotal moment in the 1982 musical film adaptation of Annie, capturing the protagonist's sudden shift from despair to optimism. As part of Disney's extensive catalogue of animated and live-action musicals, the track exemplifies the studio's ability to craft memorable melodies that define character arcs. The song functions as an anthem of hope, reflecting the broader themes of resilience found throughout the franchise's history. While the recording is tied to a specific era of theatrical storytelling, its emotional resonance remains a staple of the genre. This piece highlights how Disney continues to leverage music to convey narrative depth, establishing a sonic identity that resonates with audiences across generations without relying on complex lyrical analysis.