Hellfire

Disney · The Hunchback of Notre Dame [1996]

Confiteor Deo Omnipotenti (I confess to God almighty)

Beatae Mariae semper Virgini (To blessed Mary ever Virgin)

Beato Michaeli archangelo (To the blessed archangel Michael)

Sanctis apostolis omnibus sanctis (To the holy apostles, to all the saints)



Beata Maria

You know I am a righteous man

Of my virtue I am justly proud



Et tibit Pater (And to you, Father)



Beata Maria

You know I'm so much purer than

The common, vulgar, weak, licentious crowd



Quia peccavi nimis (That I have sinned)



Then tell me, Maria

Why I see her dancing there

Why her smold'ring eyes still scorch my soul



Cogitatione (In thought)



I feel her, I see her

The sun caught in raven hair

Is blazing in me out of all control



Verbo et opere (In word and deed)



Like fire

Hellfire

This fire in my skin

This burning

Desire

Is turning me to sin

It's not my fault



Mea culpa (Through my fault)



I'm not to blame



Mea culpa (Through my fault)



It is the gypsy girl

The witch who sent this flame



Mea maxima culpa (Through my most griveous fault)



It's not my fault



Mea culpa (Through my fault)



If in God's plan



Mea culpa (Through my fault)



He made the devil so much

Stronger than a man



Mea maxima culpa (Through my most griveous fault)



Protect me, Maria

Don't let this siren cast her spell

Don't let her fire sear my flesh and bone

Destroy Esmeralda

And let her taste the fires of hell

Or else let her be mine and mine alone

Hellfire

Dark fire

Now gypsy, it's your turn

Choose me or

Your pyre

Be mine or you will burn



Kyrie Eleison (Lord have mercy)



God have mercy on her



Kyrie Eleison (Lord have mercy)



God have mercy on me



Kyrie Eleison (Lord have mercy)



But she will be mine

Or she will burn!

Hellfire

Performed by Disney for the 1996 animated classic The Hunchback of Notre Dame, "Hellfire" serves as a pivotal musical moment within the film's score. The track features a dramatic orchestral arrangement that underscores the character Quasimodo's internal struggle and his confrontation with the bell tower. As a key piece of the movie's soundtrack, the song blends theatrical elements with the film's gothic atmosphere, contributing to the narrative's emotional intensity. It remains a notable example of Disney's approach to scoring animated features in the mid-1990s, utilizing music to deepen character development and enhance the visual storytelling of the production.