Strangers When We Meet
David Bowie · Outside [1995]
You hoo you hoo you hoo
All our friends
Now seem so thin and frail
Slinky secrets
Hotter than the sun
No preachy friars
No trendy rechauffe
I'm with you
So I can't go wrong
All my violence
Raining tears upon the sheets
I'm bewildered
For we're strangers when we meet
Blank screen TV
Preening ourselves in the snow
Forget my name
But I'm over you
Blended sunrise
And it's a dying world
Humming Rhinegold
We scavenge up our clothes
All my violence
Raging tears upon the sheets
I'm resentful
For we're strangers when we meet
Cold tired fingers
Tapping out your memories
Halfway sadness
Dazzled by the new
Your embrace
It was all that I feared
That whirling room
We trade by vendue
Steely resolve
Is falling from me
My poor soul
All bruised passivity
All your regrets
Ride roughshod over me
I'm so glad
That we're strangers when we meet
I'm so thankful
That we're strangers when we meet
I'm in clover
For we're strangers when we meet
Heel head over
But we're strangers when we meet
(We're strangers)
Strangers when we meet
Strangers when we meet
Strangers when we meet
Strangers when we meet
Strangers when we meet
Strangers when we meet
Strangers when we meet
(Meet)
Strangers when we meet
Strangers when we meet
Strangers When We Meet
Strangers When We Meet stands as a defining track from David Bowie's 1995 album, Outside. Released during a period of intense experimentation, the song showcases the artist's ability to blend alternative rock textures with his signature theatrical flair. The recording captures Bowie at a mature stage in his career, exploring themes of alienation and fleeting connection through a driving rhythm and layered instrumentation. As part of the Outside cycle, the work reflects a darker, more complex sonic landscape compared to his earlier glam rock anthems. The track remains a significant song in his extensive discography, illustrating his continued evolution and willingness to challenge conventional pop structures. Its enduring presence in live performances and collections underscores its importance within the broader context of his musical legacy.