Everybody's Trying To Be My Baby
Beatles · Live at the BBC
Well they took some honey from a tree
Dressed it up and they called it me
Everybody's trying to be my baby
Everybody's trying to be my baby
Everybody's trying to be my baby, now
Well half past nine, half past four
fifty women knocking on my door
Everybody's trying to be my baby
Everybody's trying to be my baby
Everybody's trying to be my baby, now
Went out last night, I didn't stay late
'fore I got home I had nineteen dates
Everybody's trying to be my baby
Everybody's trying to be my baby
Everybody's trying to be my baby, now
Went out last night, I didn't stay late
'fore I got home I had nineteen dates
Well they took some honey from a tree
Dressed it up and they called it me
Everybody's trying to be my baby
Everybody's trying to be my baby
Everybody's trying to be my baby, now
Dressed it up and they called it me
Everybody's trying to be my baby
Everybody's trying to be my baby
Everybody's trying to be my baby, now
Well half past nine, half past four
fifty women knocking on my door
Everybody's trying to be my baby
Everybody's trying to be my baby
Everybody's trying to be my baby, now
Went out last night, I didn't stay late
'fore I got home I had nineteen dates
Everybody's trying to be my baby
Everybody's trying to be my baby
Everybody's trying to be my baby, now
Went out last night, I didn't stay late
'fore I got home I had nineteen dates
Well they took some honey from a tree
Dressed it up and they called it me
Everybody's trying to be my baby
Everybody's trying to be my baby
Everybody's trying to be my baby, now
Everybody's Trying To Be My Baby
Released on the Beatles' 1963 compilation Live at the BBC, this recording captures the band's energetic performance style during their television appearances. The track features a driving rhythm and vocal harmonies characteristic of the group's early pop-rock sound, showcasing their ability to blend upbeat tempos with melodic sophistication. As part of the BBC sessions, the song reflects the band's dynamic live energy and serves as a key example of their work during the height of their fame in the early 1960s. It remains a staple of their discography, illustrating the musical direction that defined their initial years in the British Invasion.