Commercial Break (skit) Ft.Young Zee
D12 · D12 World [2004]
Yo, testing
This thing back on again
Alright, perfect, God damn good
Yo, this is Rondell Beene
I'm back on the motherfuckin' scene
and I'm upset as a motherfucker
I mean first I didn't get paid for the D12 shit
You heard me rippin' on there, they just edited my verse out
Then I was on Obie's shit, I was in Obie's video
and that Obie go ahead and I didn't get paid for that shit
And now they got this bald head weed smokin motherfucker
and his name is...
[Young Zee]
Young Zee, keep movin' for the macs. Be cubin'
Hmm? I'll make you sing like big Ruben
Man, in the hood, I'm the American Idol
First I fight you, and then run up on your stairs with a rifle
Bang.
Tech claims make you wipe out like X-Games
Next sprain's in your motherfuckin' leg bang?
Tryin' to shoot me like they tryin' to shoot 50
Either you gon' die or need a new kidney
Till I drop, I'm a sell to your friends
Till I get some of that tin, in the federal pin
I spit better than them
niggaz wanna fight me, better go get in the gym
or the metal'll spin. Since smokes' in 'Nam
doin' drugs than Eminem moms
Ten times, Dirty Dozen. All x times
Bash your ride, crash when you drive
flip your dumbass out the passenger side
Uhh [car crash]
Commercial Break (skit) Ft.Young Zee
D12, the Detroit-based supergroup led by Eminem, delivered a cohesive narrative experience with their 2004 album D12 World. This recording features the track Commercial Break (skit) Ft.Young Zee, a brief interlude designed to bridge the album's thematic sections. The group, known for blending gritty hip-hop with intricate storytelling, utilized skits to enhance the listener's immersion into their shared universe. Young Zee, a frequent collaborator within the Shady Records circle, contributes to this moment, reinforcing the tight-knit nature of the collective's production team. The song serves as a functional pause in the flow of the record, allowing the energy to reset before the next major track. It exemplifies the group's commitment to detailed album construction, where even short segments play a vital role in the overall sonic architecture of their discography.