Somebody's Me

Enrique Iglesias · Greatest Hits [2008]

You...

Do you remember me?

Like I remember you?

Do you spend your life

going back in your mind to that time

Cause I

I walk the streets alone

I hate being on my own

and everyone can see that I really fell

and I'm going through hell

thinking about you with somebody else



Somebody wants you

somebody needs you

somebody dreams about you every single night



Somebody can't breathe without you it's lonely

somebody hopes that one day you will see



That somebody's me

that somebody's me

yea



How

How did we go wrong?

It was so good and now it's gone

and I pray at night

that our paths soon will cross

what we had isn't lost

cuz you're always right here in my thoughts



Somebody wants you

somebody needs you



somebody dreams about you every single night



Somebody can't breathe

without you it's lonely

somebody hopes that some day you will see

That somebody's me

oh yeah



You will always be in my life

even if I'm not in your life

cause you're in my memory

you

when you remember me

and before you set me free



oh listen please



somebody wants you

somebody needs you

somebody dreams about you every single night



Somebody can't breathe

without you it's lonely

somebody hopes that some day you will see

that somebody's me

that somebody's me

that somebody's me

that somebody's me

oh yeah

About Somebody's Me

"Somebody's Me" is a high-energy dance-pop track by Enrique Iglesias, serving as a standout single from his 2008 greatest hits compilation. The song exemplifies the artist's signature style, blending upbeat rhythms with a polished production typical of late 2000s Latin pop and English-language dance music. As part of his extensive discography, the recording showcases Iglesias's ability to craft anthemic tracks designed for clubs and radio play, reinforcing his status as a global pop icon during that era. The song's inclusion in a greatest hits collection highlights its enduring appeal and its role in cementing his catalog of popular recordings. It remains a representative example of his work that prioritizes infectious melody and rhythmic drive over complex lyrical narratives.