Stone In My Hand
Everlast · Love, War And The Ghost Of Whitey Ford [2008]
I got no pistol, ain't got no sword
I got no army, ain't got no land
Ain't got nothing but the stone that's in my hand
Stone in my hand, stone in my hand
Ain't got nothing but the stone that's in my hand
You say you want a revolution, well, get on board
We'll start a new crusade, we'll start a Holy war
Don't need no orders, don't need no plan
I don't need nothing but the stone that's in my hand
Stone in my hand, stone in my hand
I don't need nothing but the stone that's in my hand
Stone in my hand, stone in my hand
I don't need nothing but the stone that's in my hand
You build your fighter jets, you drop your bombs
You kill our fathers, you kill our moms
Kill our brothers and our sisters, and our uncles and our aunts
Still I'm fighting with the stone that's in my hand
Stone in my hand, stone in my hand
Still I'm fighting with the stone that's in my hand
Stone in my hand, stone in my hand
All the love that's in my heart and the stone that's in my hand
Blood runs the gutters, smoke fills the sky
Every son that suffers, every mother cries
So if you've had enough and you're ready for your stand
I'll be waiting with the stone that's in my hand
Stone in my hand, stone in my hand
I'll be waiting with the stone that's in my hand
Stone in my hand, stone in my hand
All the love that's in my heart and the stone that's in my hand
Stone In My Hand
Stone In My Hand appears on Everlast's 2008 album Love, War And The Ghost Of Whitey Ford, continuing the rapper's exploration of gritty, soulful hip-hop. Known for blending rock influences with traditional rap rhythms, Everlast crafted a sound that often reflects personal introspection and urban storytelling. This track fits within a discography that includes acclaimed works like Whitey Ford Sings The Blues and White Trash Beautiful, showcasing his consistent ability to merge melodic sensibilities with hard-hitting beats. The song exemplifies his mature approach to songwriting, focusing on emotional depth rather than fleeting trends. As part of a body of work that has influenced the alternative hip-hop genre, the recording stands as a testament to his enduring artistry and willingness to experiment with texture and mood.

