I Don't Like To Argue

Art Paul Schlosser · Untitled I And Untitled II

I don't like to argue

I don't like to quarrel

I don't like to argue

About silly useless morals

I don't like to argue

I don't like to quarrel

Don't want to yell at you

Don't want you to yell at me

So let's just forget about it

Come back tomorrow



Some people like her because she's got red hair

Some people like him because he's got green hair

Some people like her because she's got no hair

Well you it doesn't really matter

If love is what your after

Who cares about the hair we need to love and share



I don't like to argue

I don't like to quarrel

I don't like to argue

About silly useless morals

I don't like to argue

I don't like to quarrel

Don't want to yell at you

Don't want you to yell at me

So let's just forget about it

And come back tomorrow



Well I used to be a know it all I used think I knew everything

I used to be a know it all I'd cuss holler and scream

I used to be a know it all I used think I knew everything

Now I realize

I wasn't very wise

I used to be a know it all,now I just sit here and sing



Kazoo~~~~~~~~~~~~~



Some people tell me this song is much too long

Other people say my voice is really wrong

Some people tell me this song is much too long

Well even if it's not okay

I'll sing it anyway

And if you want to,you like to, you can sing along



I don't like to argue

I don't like to quarrel

I don't like to argue

About silly useless morals

I don't like to argue

I don't like to quarrel

Don't want to yell at you

Don't want you to yell at me

So let's just forget about it

Come back tomorrow

About I Don't Like To Argue

Art Paul Schlosser's "I Don't Like To Argue" stands as a defining track within his extensive body of work, blending his signature comedic delivery with a straightforward, upbeat musical style. Released on the album *Untitled I And Untitled II*, the song exemplifies Schlosser's ability to craft memorable pop songs that rely on catchy melodies and witty lyrics rather than complex production. As a key component of his discography, the recording showcases his talent for writing relatable content that resonates with audiences seeking lighthearted entertainment. The track has become a staple in his catalog, often cited alongside other notable contributions such as "The Latest Elvis Imitator" and "Mocking Bird," which collectively highlight his unique approach to music that merges humor with genuine musicality. This song remains a testament to his enduring influence in the realm of comedic pop music.