“Ko je gore prošao” (“Who Came Off Worse?”) opens after the narrator has already survived what her ex assumed would destroy her. Her face is brighter, the evening feels better, and the old prediction—that she would never recover—has proved false. The title’s question turns the breakup into a contest, but the song’s deeper satisfaction comes from the fact that she is no longer waiting for his verdict. She has made it through, and the former partner may be the one left drinking and wondering.

Mia’s lyric finds a cheeky kind of empowerment in reversing the expected roles. The person who was left behind is no longer the fragile one; the ex’s imagined distress becomes the punchline. There is a little score-settling here, and the singer enjoys it. But the song’s most convincing victory is not that he suffers more. It is that she can now describe her own recovery without asking him to confirm it.

The track’s colloquial, conversational title suits its pop-folk setting, turning emotional recovery into something friends might ask over a drink. Independent review coverage is thin, so I won’t dress that up as consensus. “Ko je gore prošao” is a breakup song with its chin up and one eyebrow raised. It lets the narrator enjoy being underestimated—and then makes the listener wait for the ex to discover that her life continued quite well without his permission.