“Zveri” (“Beasts”) makes desire sound like a loss of civilization. When the narrator is close to the beloved, she says she splits in half; the more she has him, the more she wants. Love is called the greatest illness, yet the pain is something she enjoys. The animal metaphor in the chorus is not a claim that passion is pure or noble. It suggests that the couple’s attraction has stripped away the careful self-control they usually present to the world.

That surrender is exhilarating and uneasy at once. The speaker describes wanting to remain with the beloved forever, but the lyric’s language of sickness and beasts hints that intensity can consume as much as it fulfills. Bojan Grujić’s feature extends the song’s duet-like atmosphere, giving the desire a second presence rather than leaving it as a private monologue. The result is a pop-folk fantasy of mutual appetite, with enough self-awareness to notice that the fantasy may be dangerous.

Mia’s vocal character is central to the lyric’s balance of confidence and vulnerability. Specific independent criticism of “Zveri” is limited, so reception claims would be speculative. The song’s most compelling idea is its paradox: the narrator wants more precisely because what she has is already overwhelming. “Zveri” treats love as an instinct that can make people feel less like masters of themselves—and asks, without quite answering, whether that loss of control is the danger or the pleasure.