Time To Get Ill
Beastie Boys · Licensed to Ill [1986]
And when I'm on the mic - I just say my rhymes
Because I'm out on bail - the check is in the mail
They can sentence me to life - but I won't go to jail
I'm cool calm collected - from class I was ejected
Just me, Mike D., and M.C.A. - we're rarely disrespected
I got all the time that I need to kill
What's the time? - it's time to get ill
You been fully captivated by that funky ass bass
Your girlfriend screams when M.C.A.'s in the place
He stumbles in the room with the Chivas in his hand
Cold chillin' on the spot at the microphone stand
I'd have the pedal to the metal if I had a car
But I'm chiller with the Miller - cold coolin' at the bar
I can drink a quart of Monkey and still stand still
What's the time? - it's time to get ill
Went outside my house - I went down to the deli
I spent my last dime to refill my fat belly
I got rhymes galime - I got rhymes galilla
And I got more rhymes than Phillis Diller
M.C.A. takes a stand - man you're in command
Homeboy, turn it out and don't give a damn
My name is M.C.A. - I've got a license to kill
What's the time? - it's time to get ill
Riding down the block with my box in my hand
Today I feel like chillin' just as chill as I can
Coolin' on the corner with a forty of O.E.
'Cause me and M.C.A. we're down with Mike D.
When I run a jam - I don't give a damn
When I'm throwing bass - I say, "Thank you ma'am."
Fuel injected, rhyme connected - running things
I'm the King Adrock and I'm the king of all kings
I'm looking for a spot - things are gettin' hot
I'm M.C.A., I'm here to stay - and you sir, are not
Oh no, it could not be - it's such a sight to see
It's such a trip - you're on my tip so listen to Mike D.
My work is my play - cause I'm playing when I work
My name's Mike D., as you can see and I can dot the jerk
M.C.A., Adrock, Mike D. - it's chill
What's the time? - it's time to get ill
Time To Get Ill
Time To Get Ill stands as a pivotal track on the Beastie Boys' groundbreaking debut album, Licensed to Ill. Released in 1986, the song captures the group's early fusion of hip-hop rhythms with rock energy, a signature sound that helped define the era. As part of their initial discography, the recording showcases the trio's dynamic interplay and playful lyrical delivery without relying on direct quotes. The track contributes significantly to the album's status as a landmark release in hip-hop history, demonstrating the band's ability to blend party anthems with more introspective moments. This work remains an essential component of their extensive catalogue, reflecting the innovative spirit that propelled them to international prominence and influenced countless artists across multiple genres.