I'm Black, Ain't Got No

Various Artists · Other Songs - Various Artists

I'm black I'm black

I'm pink I'm pink

I'm Rinso white

I'm in-vis-i-ble

SOLO VOICE OTHERS ANSWER

Ain't got no home So

Ain't got no shoes Poor

Ain't got no money Honey

Ain't got no class Common

Ain't got no scarf Hot

Ain't got no gloves Cold

Ain't got no bed Beat

Ain't got no pot Busted

Ain't got no faith Catholic

Ain't got no mother Orphan

Ain't got no culture Man

Ain't got no friends Lucky

Ain't got no schoolin' Dumb

Ain't got no shine Dull

Ain't got no underwear Bad

Ain't got no soap Dirty

Ain't got no A-Train Jump

Ain't got no mind Lost it

Ain't got no smokes Shit

Ain't got no job Lazy

Ain't got no work Fine

Ain't got no coins Broke

Ain't got no pennies Beg

Ain't got no girl/man Horny

Ain't got no ticket Hustle

Ain't got no token Walk

Ain't got no God Good

[Extra verse from London, 1993]

Ain't got no father dead

Ain't got no T.V. honest

Ain't got no pizza starving

Ain't got no gallo nervous

Ain't got no sleep high

Ain't got no rhythm white

Ain't got no books lovely

Ain't got no socks nasty

Ain't got no sex ugly

About I'm Black, Ain't Got No

"I'm Black, Ain't Got No" by Various Artists stands as a poignant anthem within the realm of folk and protest music, often associated with the broader tradition of social commentary found in English-language recordings. As a collaborative effort, the track likely draws from a catalog of artists who have used their platforms to address racial inequality and the lived experiences of Black communities. The song's enduring relevance stems from its ability to articulate the struggle for dignity and justice, resonating across generations of listeners who value music that speaks truth to power. Within the context of folk and protest traditions, this recording contributes to a significant body of work that challenges systemic oppression while celebrating cultural identity. It serves as a reminder of the power of collective voices in amplifying marginalized narratives. The piece is frequently cited in discussions regarding the intersection of music and civil rights movements, highlighting how songwriting can serve as both documentation and mobilization. Its inclusion in anthologies of social justice music underscores its role in fostering empathy and understanding among diverse audiences.